Even more disappointing was the fact that none of the Jet/Polydor single releases by Roy Wood, Roy Wood's Wizzard and Bev Bevan troubled the UK charts either. Even "Mustard" (JETLP12) drew a blank. This was, of course, in complete contrast to the rising profile of the Electric Light Orchestra in the United States and was likely the reason that the compilation "Ole ELO" (JETLP19) was withdrawn in the UK. Perhaps the difference in the fortunes of ELO on either side of the Atlantic could be explained by the fact that they changed labels three times in the UK for their first five studio albums when in the US they remained with United Artists Records.
elobeatlesforever (elobf) is the fact that "Heavy Head" (the 'B' side of the "Let There Be Drums" single) cited shared songwriting credits for Bev Bevan, Kelly Groucutt and Richard Tandy alongside Jeff Lynne for the first and only time on the Jet label (see above). Note also that that the transition from Jet/Polydor to Jet/UA was highlighted by the quoting of JET786 and JETLP20 in brackets when "Livin' Thing" (UP36184) and "A New World Record" (UAG30017) were released, following on from the final Jet/Polydor catalogue numbers JET785 and JETLP19 respectively (also shown above).
Undoubtedly, the creation of Jet Records provided the platform for the later successes of Jeff Lynne and ELO whilst it marked a lack of promotion, focus and support for Roy Wood. ELO returned to the UK Top 10 singles chart during these days but there was little else commercially to shout about. Another change in marketing and manufacturing partners ensued, this time with United Artists Records (more on that subject in a forthcoming elobf article) and the rest, they say, is history.
See also: ELO: THE BURBANK YEARS
Until next "Time" in the ELO [and related] Universe ... KJS ... 22-Oct-2017